Felice Amato During 2021-22, we held a year-long virtual conference entitled “Women and Masks: A Transdisciplinary Arts-Research Conference” through Boston University. This report provides insights into the four weekends of virtual events, which featured presenters from around the world who offered a diverse range of content and experiential opportunities. The conference was inspired by the organizers’ interest in women’s complex experiences with mask practices. It highlighted the paradoxical potential of masks, often revealing the political and cultural narratives surrounding women. The intersection of these two themes exposed both exclusions and acts of agency while illuminating the complex phenomena related to …
Author: Melissa Flower Gladney
PERFORMANCE REVIEW: Adrift: A Medieval Wayward Folly
Adrift: A Medieval Wayward Folly. By Happenstance Theater. Co-Directed by Mark Jaster and Sabrina Mandell. 59E59 Theaters, New York, New York, November 29 to December 24, 2023. Upon arriving on the third floor of the 59E59 theatre complex in New York City to attend a performance of Adrift in December 2023, audience members are greeted by the costumed artistic co-director of Happenstance Theater, Mark Linden Jaster. Jaster’s company is an ensemble-driven troupe from the DC/Baltimore metropolitan area that creates original theatrical pieces rooted in physical comedy and clown technique that in his words “tend to go nostalgic … look retro” …
EXHIBITION REVIEW: The Calling: The Transformative Power of African American Doll and Puppet Making.
Kathy Foley The Calling: The Transformative Power of African American Doll and Puppet Making. Camila Bryce Laporte, curator, and Phyllis May-Machunda, curatorial consultant. City Lore Gallery. New York, NY. October 6, 2023 to March 3, 2024. This exhibit in a one-room space in New York’s East Village seems simple—dolls, soft sculpture figures, assemblage, quilts, and puppets by twenty-six contemporary Black artists juxtaposed in the gallery. Figures are arranged 1) to evoke the chronology of the African American diasporic experience and 2) to create dialogue about loss, trauma, and resilience. Doll making heals the spirit and builds community for these otherwise …
Founders of the Field: Nancy Lohman Staub
Bradford Clark This is a profile of Nancy Staub, the founder of the Worlds of Puppetry Museum at the Center for Puppetry Arts in Atlanta, Georgia. The article traces her contributions to world puppetry from the 1950s to the present day. As a performer, director, producer, researcher, and collector, she has collaborated with international puppet artists (including Jim Henson) and scholars to bring awareness of puppet theatre to a wider audience. The article includes a selected bibliography of her publications. Bradford Clark is a professor in the Department of Theatre and Film at Bowling Green State University, Bowling Green, Ohio, …
EXHIBITION REVIEW: Stillness, Silence, and Shadows: Indonesian Wayang Exhibit at Yale
Performance and Court in Indonesia. Asian Art Galleries, Yale University Art Gallery, New Haven, CT. In Indonesia, wayang shadow puppets are presented to the audience in a dizzying swirl of sound and action. The dalang story-teller brings the artfully perforated puppets to life with deft manipulations of shadows that change shape to the shifting rhythms of a clanging gamelan orchestra. As the dalang sings, chants, jokes, and punctuates the dialogue with percussive clacks of a cempala, the characters interact with a rich array of human emotions. The puppets praise, seduce, flatter, betray, mock, and battle each other with gestures that …
BOOK REVIEW: The Image of the Puppet in Italian Theater, Literature and Film.
The Image of the Puppet in Italian Theater, Literature and Film. By Federico Pacchioni. New York: Palgrave Macmillan, 2022. x, 125 pp., 1025 b/w, 9 color illustrations. Hardcover $49.99, eBook $39.99. The best way to appreciate this study is as a map of where a variety of puppet types—not just the most famous of all, Pinocchio—appeared in Italian artistic production across time and various media, with an emphasis on contemporary filmic remediations. Throughout the volume’s twelve short chapters, Pacchioni mentions puppet variants ranging from the wooden-head burattino operated through a glove from below, typical of the Po Valley, to the …
Modernism in Tholpavakoothu: Analyzing Contemporary Productions
Rahul Koonathara Tholpavakoothu is a shadow puppet play of Kerala, South India, performed in Hindu temples in specially constructed puppet playhouses called koothumadam. It narrates the whole Kamparamayanam, the Ramayana text by the twelfth-century Tamil Poet Kampan (1180–1250 CE) to mother goddess Bhagavathy (also Bhagavati). From January to May every year, the tale of Rama and Ravana’s fight is presented through songs and dialogues by puppeteers using leather puppets. Performances start each night after a set of opening rituals and go on till early morning. These performances are highly spiritual and done as an offering to the mother goddess. This …
WORKSHOP REPORT: Wayang Workshop
Wayang Workshop: Balimodule, Denpasar, Bali, May 2-7, 2023, UNIMA-USA and University of California, Santa Cruz A workshop in Denpasar in May 2023 by I Nyoman Sedana and I Made Georgiana Triwinadi introduced foreign theatre practitioners to Balinese wayang kulit. Instruction focused on four character types and culminated in a performance based upon Arjuna’s Meditation. The workshop included visits to noted Balinese dalangs (puppet masters) at their sanggars (home studios) and performances of topeng, kecak, and trance dance enacted within temple contexts. Karen Smith is a recent President of UNIMA-USA. As a member of UNIMA International’s Executive Committee, she has been …
Revitalizing Wayang Puppetry through Creative Lighting
Lighting is a very important element in wayang kulit (shadow puppetry). The use of modern lighting effects in wayang sometimes can actually weaken the appearance of the puppets because they are overshadowed by the glitter. The identity of Balinese wayang, with its aesthetic and symbolic values, demands lighting of a high capacity to illuminate, according to the form of the puppets, in a heightened style, creating a dramatic atmosphere via scenery or background in order to accommodate the shift in contemporary puppet audiences who tend toward realism.
Tutur Candra Bherawa: A New Balinese Theatre Work
I Gusti Putu Sudarta and I Gusti Made Darma Putra Pakeliran Tutur Candra Bherawa (Performance of the Teachings of Candra Bherawa), produced in April 2022 in Denpasar, Bali, was a total theatre performance exploring traditional theatre using song in storytelling. The melodies and vocals were not confined to Balinese and Javanese traditions but borrowed from South Asia’s Sufi qawwali and other spiritual song sources. The form was presented in the Balinese sangita (sung drama) form, which combined singing, instrumental music, puppetry, and dance. I Gusti Putu Sudarta has trained as a musician, composer, dancer, and dalang from his childhood in …
